The texts in this blog are published with their original spelling and grammar. No comments and teacher feedback are included.

Monday, August 26, 2013

Forum discussion: The right content for young-adult students

 Remember Hertz and Gallo's words?
YAL deals with many universal themes, including the eternal questions Who am I? and Where do I fit in? Some of the themes are: alienation from one's society or group; survival or meeting a chal-lenge; social and/or political concerns about racial or ethnic discrimination; social concerns about AIDS, teenage pregnancy, divorce, substance abuse, family conflicts, dealing with death, and politi-cal injustice. These are issues and topics that all students can benefit from reading and discussing, not just students at lower academic levels.

After carrying out so many discussions and analysing so many stories meant for young adults in class, it's time to wonder about those teenage concerns in our Greater Buenos Aires classrooms. What topics should be deal with in class? Is anything possible or should we refrain from touching upon the more delicate issues?

Maybe the following newspaper article will give you something to ponder about before joining in the discussion:Click to read.

Tuesday, August 20, 2013

Dead like me: an analysis through Young Adult Literature

By Alvarez, Gilda and Giribaldi, Mariela

A long time ago, adolescents were not considered a target audience when authors wrote stories or different types of books. It was difficult to find a single piece of literature that was specially designed for them. Nowadays, this paradigm has changed for a better one and many narratives, among other styles are written considering adolescents as the intended audience. Furthermore, the concept of Young Adult Literature has started to be used to define the literature specifically design for adolescents. This paper will look at one particular short story that portrays some of the characteristics and behaviours of this particular stage of life. Dead like me, written by the American author Adam Troy Castro, describes a man trying to survive in a world occupied by dead people. In this new earth, the protagonist makes an effort to “fit” in the world of the Living Dead, as he calls them, because he is still alive and doesn’t want them to realize about it. The problematic situations that he will have to face will prove to be appealing for young adults and may help them, through identification of certain behaviours and attitudes, in their way to adulthood.

Several important elements will be explored in this paper that includes not only different aspects to take into account when pointing out to adolescence, but also the elements in the story that make it suitable for this type of audience; an audience that is considered to be reluctant and hard-to-catch when reference to literature is made. So, taking all these factors into consideration, this paper will try to explain the connections between Dead like me and Young Adult Literature.

According to the definition stated on the website Psychology Today,

“Adolescence describes the teenage years between 13 and 19 and can be considered the transitional stage from childhood to adulthood. However, the physical and psychological changes that occur in adolescence can start earlier, during the preteen or "teen" years (ages 9-12). Adolescence can be a time of both disorientation and discovery. The transitional period can bring up issues of independence and self-identity. Sometimes adolescents may be experimenting with drugs and alcohol or sexuality. During adolescence, peer groups and external appearance tend to increase in importance.”

When we mention the term adolescence, we are referring to a critical period in life in which we face several conflictive changes, not only psychological but also physical.

But adolescents are not the only ones who experiment changes. Literature for young adults has also change and its characteristics have undergone a considerable transformation. According to Small (Herz and Gallo, 1996), the characteristics of Young Adult novels are the following:

●The main character is a teenager
●Events and problems in the plot are related to teenagers
●The main character is the centre of the plot
●Dialogue reflects teenage speech, including slang
●The point of view presents an adolescent’s interpretation of events and people
●The teenage main character is usually perceptive, sensitive, intelligent, mature, and independent
●The novel is short, rarely more than 200 pages
●The actions and decisions of the main characters are major factors in the outcome of the conflict

In Dead like me, even though we assume that the main character is not an adolescent since he has a wife and two children, the events and problems in the plot are related to young adults. There is a clear connection between an adolescent’s conduct and the protagonist’s behaviour. The later imitates the zombie’s attitudes to fit in the Living Dead world. Imitation is a typical characteristic of young adults. Through this strategy, they achieve an important purpose of this stage of life: being accepted within a group. We find within the story, clear instances in which the main character experiences situations related to sexual relationships, identity and acceptation in a peer group through imitation of conducts.

Sexual relationships are an important matter for young adults since the first sexual encounters tend to appear in adolescence. The discovery of sex is associated to impulsivity in male adolescents and to romanticism in female adolescents (Marta Vega and others, 2007). For women sex is making love, while for men sex is just having sex. So, as this is a new aspect of explore, it is completely normal that young adults do not know how to handle and properly enjoy their sex lives. Our unnamed protagonist is not the exception to the rule. He has a lover or at least “the closest thing to a lover in the new world”, as he says. Her name is Suzie and he does not consider her a “real” lover in the emotional sense of the word, but a lover you can “fuck” to. Because zombies do not make love, they just satisfy a physical necessity. There is “no affection, no pleasure, and certainly, no joy”

Another problem related to adolescents is portrayed in the story: identity. The central character is still a human being; he is alive in a world infested by zombies. However, he cannot behave as a normal person, he has to pretend that he is a zombie and he will have to find out if he is human or if unconsciously, as a consequence of acting decades as a Living Dead, he actually became one of them. It is possible to notice that there is a battle going on within this person; the part of him which is prepared to do anything to survive and the part which wants to admit his own humanity. This conflict is evidenced in several parts of the story. For instance, at the beginning of the tale when the character points out that the zombies are never referred to as zombies, but simply as 'those Bastards'. However, half way through the story, having described a particularly nasty bus explosion, he states ‘you’d feel that the Living were silly bastards’ which seems to indicate the character feels the same about the zombies as he does about the living. Close to the end, he again refers to the zombies as 'Bastards'. As we can notice, there is a constant conflict in him.

During adolescence, sociability becomes an important matter. As Winnicot (idem) suggested, a characteristic of early adolescence is the insertion within a certain group. In the story, the protagonist has to imitate zombies and behave in the same manner to be accepted among them. He cannot be himself, i.e. a real human being, otherwise he would be killed. In real life, young adults surely will not be killed, but if they do not fit within a certain group, they would probably be excluded. The sense of belonging is highly important for them.

As it was already mentioned, Small (idem) pointed out that one of the characteristics of YAL is that “dialogue reflects teenage speech, including slang”. But what is the meaning of this word? The Oxford advanced learner’s dictionary (2007) defines the term slang as “very informal words and expressions that are more common in spoken language, especially used by a particular group of people”. According to this definition, the vocabulary young adults use can be considered as slang. Adolescents usually speak in a very informal manner that includes insults as well. Several times, some of these words are used in a really disapproving way. Evidently, their vocabulary is not the same adults use. What’s more, in many cases it is extremely difficult to really understand the message they are conveying. This is due to the fact that young adults have a tendency to adapt existing terms to new contexts and situations. This is reflected in the story since the main character makes use of slang several times; he uses the word bastard to refer to zombies, and fuck to the act of having sex. Damned is also used as a swear word to show that the character is extremely annoyed or frustrated. These words are always used in a disapproving way and they highlight the feelings of the protagonist through different situations. Even though the instances were slang can be found are really few, it is possible to notice that the words and expressions the protagonist uses are truly informal.

In psychology, maturity is “the ability to respond to the environment in an appropriate manner. This response is generally learned rather than instinctive, and is not determined by one’s age” (website Wikipedia) Even though adolescents have abandoned childhood, they are still on the path to maturity. Being mature is a psychological state you develop, you do not born with it. So, it is expected to find immaturity in young adult’s behaviour. As many parents probably know, young adults are more likely to show a lack of maturity and an underdeveloped sense of responsibility than adults. Besides, they are more vulnerable or susceptible to negative influences and outside pressures, including peer pressure. That is why several times they do not understand or analyze the consequences of their actions. The protagonist of Dead like me is an adult. However, it is possible to find in his behaviour some instances where he acts immaturely, similarly to adolescents. The protagonist mocks his own brother because he is already dead. His brother was the clever one, “brave, heroic, defiant, a total leader” while he defines himself as “anything special, a follower, a kiss ass”. This immature rivalry between brothers is really common in young adults. In the story, we can notice that the clever brother was not so clever after all.

But the fact that adolescents sometimes have an immature behaviour does not indicate that they are not able to perform and make decisions responsibly. The central character of Dead like me is actually forced to think and behave maturely for the essential reason that, if he does not do so, he will be killed by zombies. He is not a young adult. However, he is perceptive, sensitive, intelligent and independent. These qualities are perceived on him through different situations. He is perceptive because he is capable of recognizing and comprehending the zombie’s attitudes and reality. And based on these, he is able to develop his own survival strategies. Being sensitive is another characteristic of him. Although he has acted as a Living Dead for a long period of time, he still remembers his family and his first and only love. Nevertheless, he represses these memories and feelings since zombies have not emotions at all. No doubt he is intelligent and independent enough to survive on his own in a world invaded by zombies.

Stories designed for young adults tend to have no more than 200 pages. A clear example of this is the book Zombies Encounter with the Hungry Dead edited by John Clipp. This book compiles thirty two stories about zombies from different authors into two parts (Zombies of the old school and Post emancipation). Each story has a length of no more than fifteen pages. Dead like me is included in the book and we observe this characteristic since this story is a short one of no more than five or four pages depending on the impression font size.

As regards the actions and decisions of the main character, these are the only ones that take place and are important all through the development of the story, leading to its outcome: staying alive. In the story, the central character pretends to be a zombie in order to stay alive so, he behaves as one: he does not dream, think or remember, he walks the way zombies walk, dragging his right foot, hanging his head.

As it was previously exposed, Dead like me not only deals with several issues concerning problems young adults may face, but also it portrays some characteristics of Young Adult Literature. It is important to understand that adolescence is a conflictive period in life. A period in which human beings change not only physically but also psychologically. A period for discovering who you are and your place in the world. A period of transition into the complexity of adulthood. Most human beings had experienced adolescence. If we remember this period, we will discover how we felt and what it meant in our lives. Reading stories that reflect some feelings, problems, conflicts and characteristics of young adults, is an interesting way to show them that they are not alone. Adolescents have problems in real life as well as in the literary world.


REFERENCES

●Castro, A. T.  (2000) Zombies: Encounters with the hungry dead, Dead like me
●Skipp, J. (2009)  Zombies: Encounters with the hungry dead
●Hornby, A. S. Oxford advanced learner’s dictionary of current English (2007) Oxford University Press
●Psychology Today http://www.psychologytoday.com/basics/adolescence Adolescence, (accessed on June, 27th)
●Sarah Herz and Gallo, D. (1996) ‘From Hinton to Hamlet: Building Bridges between Young Adult Literature and the Classics’, Westport, CT: Greenwood Press
●Vega y otros, M.  (2007) ‘Escritos Psicoanalíticos sobre adolescencia’ Bs As Ed. Eudeba
●Wikipedia, the free encyclopaedia www.wikipedia.org/wiki/Maturity_(psychology) Maturity (psychological), (accessed on July, 8th)

“Anda’s Game” as YAL: A Short Analysis Following Small’s Criteria.

by Lidia Figueroa-Valeria Muscato

There is no doubt that “Anda’s Game” (2007), short story written by the Canadian blogger, journalist and science fiction author Cory Doctorow, is consistent with the requirement of a subgenre known as YAL.

This paper will attempt to examine some of the features listed by Robert C. Small Jr. (Hertz & Gallo, 1996), a renowned literary theorist about Young Adult Literature (YAL) and juxtapose them with the ones that are found in the short science fiction story “Anda’s Game”. In this narrative, the preadolescent protagonist Anda spends most of her time playing computer games online.

The first characteristic pointed out by Small, namely the fact that the main characters should be a teenager, can be found in the following excerpt: 

“When Anda was twelve, she met Liza the Organiza, whose avatar was female but had sensible tits and sensible armor and a bloody great sword that she was clearly very good with”.

Holly Koelling (2004) states that the onset of puberty starts between ages 12 to 13. Given these characteristics, the reader may assume that the main character is an adolescent when reading this extract from the story.

According to Small, “dialogue reflects teenage speech, including slang”. This second feature can be identified in the following conversation between Anda and her father:

“Anda, I don’t think it’s healthy for you to spend so much time with your game,” her da said, prodding her bulging podge with a finger. “It’s not healthy.”

“Daaaa!” she said, pushing his finger aside. “I go to PE every stinking day. It’s good enough for the Ministry of Education.”

Anda’s informal language represents teenage speech used by adolescents to communicate with adults, as seen in the “Daaaaaa” and the choice of the word “stinking” for instance.

Another important issue to take into account according to Small is that the teenage main character is usually perceptive, sensitive, intelligent, mature and independent. For instance, the next talk between Anda’s and her progenitor shows her as the owner of some of the characteristics mentioned before:

Anda came home from remedial hockey sweaty and exhausted, but not as exhausted as the last time, nor the time before that. She could run the whole length of the pitch twice now without collapsing— when she’d started out, she could barely make it halfway without having to stop and hold her side, kneading her loathsome podge to make it stop aching. Now there was noticeably less podge, and she found that with the ability to run the pitch came the freedom to actually pay attention to the game, to aim her shots, to build up a degree of accuracy that was nearly as satisfying as being really good in-game.

Her dad knocked at the door of her bedroom after she’d showered and changed. “How’s my girl?”

“Revising,” she said, and hefted her math book at him.

“Did you have a fun afternoon on the pitch?”

“You mean ‘did my head get trod on?’“

“Did it?”

“Yes,” she said. “But I did more treading than getting trodden on.” The other girls were really fat, and they didn’t have a lot of team skills. Anda had been to war: she knew how to depend on someone and how to be depended upon.

“That’s my girl.” He pretended to inspect the paint-work around the light switch. “Been on the scales this week?”

She had, of course: the school nutritionist saw to that, a morning humiliation undertaken in full sight of all the other fatties.

“Yes, Dad.”

“And . . . ?”

“I’ve lost a stone,” she said. A little more than a stone, actually. She had been able to fit into last year’s jeans the other day.

As it can be spotted in the extract above, Anda becomes aware of her obesity and the related diabetes and decides to take action and have control over her health. Her change is connected to teenage maturity and independence showing the way she is able to overcome her sickness.

Small also considers that YAL texts are short. As “Anda’s Game” is a short story, this may be a good advantage to get teenagers involved in reading.

Considering what has been exposed, on the age of the protagonist Anda, as well as her lexical choices and her personality traits, “Anda’s Game”, the science fiction story written by Cory Doctorow, can certainly be considered a case of Young Adult Literature (YAL).


REFERENCES

‘Anda’s Game’ by Cory Doctorow: Overcoming Barriers to Entry. http://thecraftproject.wordpress.com/2011/02/20/andas-game-by-cory-doctorow-overcoming-barriers-to-entry/ Accessed 13/06/13.
Doctorow, C. (2008) “Anda’s Game”. From Strahan, J. (Ed.) The Starry Rift: Tales of New Tomorrows: an anthology of original science fiction. Viking, USA.
Herz, S & Donald, G. (1996) From Hinton to Hamlet: Building Bridges between Young Adult Literature and the Classics. Westport, CT: Greenwood Press.
Koelling, H. (2004) Classic Connections: Turning Teens on to Great Literature. Libraries Unlimited. Westport, CT.
Review: ‘Anda’s Game’ by Cory Doctorow. http://www.teleread.com/ebooks/review-andas-game-by-cory-doctorow. Accessed 13/06/13.
Wikipedia “Cory Doctorow” http://en.wikipedia.org/wiki/Cory_Doctorow. Accessed 13/06/13.

“Sundiver Day”: A case of Young Adult Literature

By Cruz, F. & Gallardo, M.

Longevity pills and clonation could be, in the near future, commonly used expressions due to the medicine advances. Nowadays, these terms appear, among others, in some pieces of writing, as in the case of “Sundiver day”, a short science fiction story written by Kathleen Ann Goonan. The story takes place in the Florida Keys and tells the life of an adolescent, Eelie, who cannot accept her brother’s death. He has gone missing in a Middle East War. Eelie lives with her mother in a house, near to the beach. She spends her time between the school and the Science Institute; she wins a science prize because of her knowledge about clonation. She was able to clone a parrot and some plants and she is working secretly on cloning her brother. The story depicts a science fictional world where clone people are very common but illegal.

Kathleen Ann Goonan, the author is well known for  winning many awards for her work in “ Queen city jazz” , “The bones of time”, “Mississippi blues” and “In war times”, among others. She also is well known for writing Young Adult Literature (YAL). YAL is characterised by containing certain topics and features that are directly related to adolescents’ life.  “Sundiver Day” seems to be an instance of YAL since most of these topics and characteristics are developed.

Robert C. Small, dean at Radford University, points out some characteristics that help understand when a text can be considered YAL (Herz & Gallo, 1996).  These characteristics expose certain elements that may be present in Young Adult Literature:                                                                                                    

•“the main character is a teenager”,
•“events and problems in the plot are related to teenagers”,
•“the main character is the centre of the plot”,
•“dialogue reflects teenage speech”,
•“the point of view presents an adolescent´s interpretation of events and people”,
•“the teenage main character is usually  perceptive, sensitive, intelligent, mature and independent”,   
•“the novel is short”,
•“the actions and decisions of the main characters are major factors in the outcome of the conflict”.                                                                                                        

Small, also explains YAL should not avoid certain controversial topics such as sexuality, substance abuse, pregnancy, identity and death.                                         In “From Hinton to Hamlet”, Herz & Gallo, (1996) mention these controversial topics as “universal themes”. The authors explain that universal themes are related to existential questions “Who am I?” and “Where do I fit in?”, and point that these are topics that “all students can benefit from reading and discussing...” Herz & Gallo also explain universal themes as topics that are common in certain group or society.

As regards Small’s characteristics, one of them claims “The main character is a teenager”: Eelie is the main character because the story is based on her life and she is an adolescent because she is sixteen-year-old as she tells the readers in the story “I just turn sixteen”.  According to Erik Erikson (1902-1994), a German-born American psychoanalyst, one of the stages of the life cycle is adolescence and it comprehends the ages 12 to 18.                                          

“Events and problems in the plot are related to teenagers”: The story tells Eelie’s life, an adolescent who has to deal with common issues related to her age such as “school problems”; she neglects the school to go to the Science Institute to find the way to clone her brother, “pregnancy”; she decides to inoculate her brother’s ovum, and “death”; she cannot accept her brother’s death.

Another characteristic points out that “the main character is the centre of the plot”; in the story, Eelie, is the centre of the plot since her life is depicted. From the beginning to the end the story is about Eelie’s happiness, concerns and intentions. The following characteristic indicates; “dialogues reflects teenage speech”, in “Sundiver day” Eelie provides  many instances of teenage speech;    “ they used to make fun of me and call me  ‘Miss Smarty’, but I beat up the ringleader of that crowd, Marcy Phipps, when I was fourteen, and after that nobody bothered me.”

Eelie is not only portrayed as mature and independent when she decides to have a baby and to clone a person, but also intelligent and sensitive when she comprehends her mother’s loneliness. These appreciations about Eelie seem to coincide with the Small’s feature that says: “the teenage main character is usually perceptive, sensitive, intelligent, mature and independent”.

As regards the size of the story, Small explains that adolescents are reluctant to read a story of more than two hundred pages, so to catch the attention of adolescents the story has to be short. “Sundiver Day” is a story of no more than twenty pages and can be appreciated by adolescents.

In relation to “universal themes”, some examples are present in the story. One of them and apparently the most important is death. The whole story is based on the problem that Eelie has to accept her brother’s death; “no matter what Mom says, I will never say he´s dead until they show me a body. And that might be never”.

Another universal theme is pregnancy, clearly present in the story; Eelie needs a uterus to complete Sam´s clonation but her mother refuses the proposal. Eelie gives a thought about being a mother at her age but finally she decides to inoculate the egg into herself.

The science fictional word and the topics present in the story seem to comprehend adolescents’ expectations. As experts say, YAL has to develop certain features and has not to avoid crucial topics common in adolescents’ life. Considering “Sundiver Day” as an instance of YAL, is appropriated to say that adolescents may feel identified with some situations of the story which make them feel interested in reading it.
           
REFERENCES
-Erikson’s Stages of Development: Learning Theories. Accessed 25/06/2013 http://www.learning-theories.com/eriksons-stages-of-development.html.
-Herz, S. & Gallo, D. (1996) From Hinton to Hamlet: Building Bridges between Young Adult Literature and the Classics. Westport, Connecticut: Greenwood Press.
-Longman Language Activator: Helps your write and speak natural English. New Edition. Pearson Education Limited 1993, 2002

“LAZARUS: a comparisson between adolescents and Lazarus about the feeling of loneliness”

By Pablo Barroca

“When Lazarus rose from the grave, after three days and nights in the mysterious thralldom of death, and returned alive to his home, it was a long time before anyone noticed the evil peculiarities in him that were later to make his very name terrible…”

This extract is part of the story “Lazarus”, written by Leonid Andreyev, in which similarly to what the protagonist experiences during the fiction, there are human beings who face conflicts of behaviour through their adolescence.

According to Ariel Bianchi (1986) adolescence is characterized as “advances in maturity of emotional, intellectual and social behaviour; and besides by passing through moments of loneliness, doubts and distrust due to the discovery of the new body and psychological behaviour.”

This essay will compare the fiction story “Lazarus” and what adolescents go through their real life. Throughout this story teenagers can reflect upon an important issue that is present during adolescence as the feeling of loneliness.

Human beings experience different conflicts during their adolescence and one of the most important is the feeling of loneliness.

Aberasturi and Knobel (1991) define the feeling of loneliness as “periods in which young people are locked up in their rooms to be alone. These moments of solitude are usually necessary to keep outside the past, present and future time converted into manageable objects. The ability to be alone is a sign of maturity, only achieved after these distressing experiences of loneliness of adolescence.”

By reading “Lazarus”, adolescents can reflect upon their feeling of loneliness is very common among themselves, and also necessary to clarify their doubts about the changes that their new body suffer, and   their way of thinking.

The following extract shows how Lazarus experiences his feeling of loneliness in the story:

“During the day, when the sun beat down mercilessly upon all living things, and even the scorpions hid under the stones, convulsed with a mad desire to sting, he sat motionless in the burning rays, lifting his face and shaggy wild beard. While someone had asked him: “Poor Lazarus! Do you find it pleasant to sit so, and look at the sun?” And he answered: “Yes, it is pleasant.” And when the setting sun descended to earth, Lazarus went into the desert and walked towards it, as though intending to reach it. Always he walked towards the sun.”

In this case Lazarus spends a lot of time under the hot sun without giving importance to the people that surround him. Even though he is not locked up in his room to clarify doubts about his body or to think about possible inner conflicts, he is under the hot sun all day. These moments are similar to those that all teenagers need when they have to debate and find with themselves through their adolescence.

Another instance of the feeling of loneliness can be appreciated in the following extract in which Lazarus decides to be alone while he is travelling by ship to Rome:

“There were many people aboard, but the ship was silent and still as a coffin, and the water seemed to moan as it parted before the short curved prow. Lazarus sat lonely, baring his head to the sun, and listening in silence to the splashing of the waters.”

As it can be seen in the previous extract from the story, Lazarus ignores the so crowded ship and looks for his loneliness. His anti-social attitude is similar to the one adolescents face when they are going through this feeling of loneliness.

As regards the feeling of loneliness, adolescents need to be alone and to retreat into their inner world and from there to act with their external world. (Erik Erikson, 1972)

According to the extracts analysed from the story “Lazarus”, it has been demonstrated that some human beings during their adolescence pass through different conflicts of behaviour, in this case the feeling of loneliness. This story can help teenagers to reflect upon the emotional and physical changes they experience during this stage are normal and also important for their lives.

REFERENCES
*Leonid Andreyev, (2009) “Lazarus”, “Zombies: Encounters with the hungry dead”, Black                 Dog & Leventhal Publishers, Inc. United States.
*Aberastury-Knobel, (1991) “La adolescencia normal”, Ed. PAIDOS, Barcelona, España.
*Ariel Bianchi (1986) “Psicologia de la adolescencia de sus conflictos y armonias”, Ed.                  TROQUEL, Argentina.
*Erik Erikson (1972), “Sociedad y Adolescencia”, Ed. SIGLO VEINTIUNO, Mexico.